History of Bonsai
Bonsai first appeared
in China over a thousand years ago on a very
basic scale, known as pun-sai, where
it was the practice of growing single specimen
trees in pots. These early specimens displayed
sparse foliage and rugged, gnarled trunks which
often looked like animals, dragons and birds.
There are a great number of myths and legends
surrounding Chinese bonsai, and the grotesque
or animal-like trunks and root formations are
still highly prized today. Chinese bonsai come
from the landscape of the imagination and images
of fiery dragons and coiled serpents take far
greater precedence over images of trees- so
the two forms of this art are quite far apart.
With Japan's adoption
of many cultural trademarks of China - bonsai
was also taken up, introduced to Japan during
the Kamakura period (1185 - 1333) by means of
Zen Buddhism - which at this time was rapidly
spreading around Asia. The exact time is debatable,
although it is possible that it had arrived
in AD 1195 as there appears to be a reference
to it in a Japanese scroll attributed to that
period. Once bonsai was introduced into Japan,
the art was refined to an extent not yet approached
in China. Over time, the simple trees were not
just confined to the Buddhist monks and their
monasteries, but also later were introduced
to be representative of the aristocracy - a
symbol of prestige and honour. The ideals and
philosophy of bonsai were greatly changed over
the years. For the Japanese, bonsai represents
a fusion of strong ancient beliefs with the
Eastern philosophies of the harmony between
man, the soul and nature.
In an ancient Japanese
scroll written in Japan around the Kamakura
period, it is translated to say : "To appreciate
and find pleasure in curiously curved potted
trees is to love deformity". Whether this
was intended as a positive or negative statement,
it leaves us to believe that growing dwarfed
and twisted trees in containers was an accepted
practice among the upper class of Japan by the
Kamakura period. By the fourteenth century bonsai
was indeed viewed as a highly refined art form,
meaning that it must have been an established
practice many years before that time.
Bonsai were brought
indoors for display at special times by the
'Japanese elite' and became an important part
of Japanese life by being displayed on specially
designed shelves. These complex plants were
no longer permanently reserved for outdoor display,
although the practices of training and pruning
did not develop until later - the small trees
at this time still being taken from the wild.
In the 17th and 18th century, the Japanese arts
reached their peak and were regarded very highly.
Bonsai again evolved to a much higher understanding
and refinement of nature - although the containers
used seemed to be slightly deeper than those
used today. The main factor in maintaining bonsai
was now the removal of all but the most important
parts of the plant. The reduction of everything
just to the essential elements and ultimate
refinement was very symbolic of the Japanese
philosophy of this time - shown by the very
simple Japanese gardens such as those in the
famous temple - Roan-ji.
At around this time,
bonsai also became commonplace to the general
Japanese public - which greatly increased demand
for the small trees collected from the wild
and firmly established the artform within the
culture and traditions of the country.
Over time, bonsai
began to take on different styles, each which
varied immensely from one another. Bonsai artists
gradually looked into introducing other culturally
important elements in their bonsai plantings
such as rocks, supplementary and accent plants,
and even small buildings and people which itself
is known as the art of bon-kei. They
also looked at reproducing miniature landscapes
in nature - known as sai-kei which further
investigated the diverse range of artistic possibilities
for bonsai.
Finally, in the
mid-19th century, after more than 230 years
of global isolation, Japan opened itself up
to the rest of the world. Word soon spread from
travelers who visited Japan of the miniature
trees in ceramic containers which mimicked aged,
mature, tall trees in nature. Further exhibitions
in London, Vienna and Paris in the latter part
of the century - especially the Paris World
Exhibition in 1900 opened the world's eyes up
to bonsai.
Due to this phenomenal
upsurge in the demand for bonsai, the now widely
expanding industry and lack of naturally-forming,
stunted plants led to the commercial production
of bonsai by artists through training young
plants to grow to look like bonsai. Several
basic styles were adopted, and artists made
use of wire, bamboo skewers and growing techniques
to do this - allowing the art to evolve even
further. The Japanese learnt to capitalize on
the interest in this artform very quickly -
opening up nurseries dedicated solely to grow,
train and then export bonsai trees. Different
plants were now being used to cater for worldwide
climates and to produce neater foliage and more
suitable growth habits. Bonsai techniques such
as raising trees from seed or cuttings and the
styling and grafting of unusual, different or
tender material onto hardy root stock were further
developed.
Bonsai has now evolved
to reflect changing tastes and times - with
a great variety of countries, cultures and conditions
in which it is now practiced.
In Japan today,
bonsai are highly regared as a symbol of their
culture and ideals. The New Year is not complete
unless the tokonoma - the special niche
in every Japanese home used for the display
of ornaments and prized possessions - is filled
with a blossoming apricot or plum tree. Bonsai
is no longer reserved for the upper-class, but
is a joy shared by executive and factory worker
alike.
The Japanese tend
to focus on using native species for their bonsai
- namely pines, azaleas and maples (regarded
as the traditional bonsai plants). In other
countries however, people are more open to opinion.
The evolution of
bonsai over the past two centuries is truly
amazing - now a well known and respected horticultural
artform that has spread throughout the world
from Greenland to the U.S. to South Africa to
Australia. It is constantly changing and reaching
even greater heights, representative of how
small the world is really getting. |